, is a sampladelic British hip-hop producer who also co-produced a pair of massive international hits:
became interested in dance production after studying studio engineering and DJing at London's Wag Club, a mecca for fellow breakbeat mavens like
. In 1987,
constructed a pastiche of a DJ record titled "Beat Dis," which incorporated samples from
, and the classic television shows Dragnet and The Thunderbirds. Packaged to resemble a white-label import from America, the track became an underground hit and, after its reissue on Rhythm King, a surprising number two smash on the British charts in early 1988. (
' "Theme from S-Express" both followed "Beat Dis" into the Top Ten.)
Later that year,
Simenon returned with an LP (
Into the Dragon) that featured an expanded
Bomb the Bass lineup: producer
Jonathan Saul Kane (who later recorded as
Depth Charge) and vocalists
Maureen Walsh and
Lauraine McIntosh. Two singles from the album, "Megablast" and an inventive cover of the
Burt Bacharach-
Dionne Warwick classic "Say a Little Prayer," hit the British Top Ten as well. Also in 1988,
Simenon co-produced two tracks for the debut of
Neneh Cherry, stepdaughter of the free jazz trumpeter
Don Cherry. Both singles, "Buffalo Stance" and "Manchild," became British Top Ten hits. After completing work on his own studio, he also produced a track for
Adamski ("Killer") and mixed a single named "Crazy" for an
Adamski protégé,
Seal. "Crazy" soon became a Top Ten single on both sides of the Atlantic.
With all the outside recording commissions, it took nearly three years for
Simenon to ready a follow-up to the first
Bomb the Bass LP.
Unknown Territory finally dropped in 1991, led by another Top Ten single, "Winter in July," sporting a midtempo hip-hop aesthetic that would only earn critical attention several years later after being dubbed trip-hop. He also produced a range of acts, from
Eternal to
Sinéad O'Connor, during the early '90s, and more fruits of his collaborative nature arrived in 1995 with the third
Bomb the Bass album,
Clear. The album included vocal tracks featuring
O'Connor,
Justin Warfield,
Bernard Fowler,
Bim Sherman, and
Leslie Winer, as well as the instrumental input of
Tackhead/
On-U Sound compatriots
Keith LeBlanc,
Doug Wimbish, and
Skip McDonald.
Simenon again turned to outside work during the late '90s, remixing and producing for
David Bowie,
Depeche Mode,
U2,
Gavin Friday,
Curve,
Booth & the Bad Angel, and
Hardfloor. After issuing a pair of EPs --
Clear Cut and Tracks -- in 2001,
Simenon sidelined
Bomb the Bass in order to focus on other responsibilities, such as the operations of his own Electric Tones record label. He then returned to the project in 2006, relying almost exclusively on a miniMoog synth to create nine new songs. Two years later, the material was released as
Future Chaos. Additional tracks came much more quickly, and the straight-ahead dance record
Back to Light appeared early in 2010 (with help from co-producer
Gui Boratto).
–
John Bush, Rovi