deserves enshrinement in the blues-guitar hall of fame anyway. His jazz-tinged, stunningly advanced riffing behind
elevated the towering pianist's 1950s output for United and Vee-Jay Records to new heights.
Guitar playing ran in the
Murphy household (which moved from Mississippi to Memphis when
Matt was a toddler).
Matt and his brother
Floyd both made a name for themselves on the early-'50s Memphis scene (that's
Floyd on
Little Junior Parker & the Blue Flames' 1953 Sun waxings of "Feelin' Good" and "Mystery Train").
Matt played with
Howlin' Wolf as early as 1948 (harpist
Little Junior Parker was also in the band at the time).
Murphy added hot licks to early sides by
Parker and
Bobby Bland for Modern before latching on with
Memphis Slim's House Rockers in 1952. Normally, the veteran pianist eschewed guitarists altogether, but
Murphy's talent was so prodigious that he made an exception.
Murphy's consistently exciting guitar work graced
Slim's United waxings from 1952-1954 and his 1958-1959 platters for Vee-Jay. Another solid
Memphis Slim LP for Strand in 1961 and dates with
Chuck Berry,
Otis Rush,
Sonny Boy Williamson,
Etta James, and
the Vibrations at Chess preceded
Murphy's memorable appearance on the 1963 American Folk Blues Festival tour of Europe (along with
Slim,
Sonny Boy Williamson,
Muddy Waters,
Lonnie Johnson,
Big Joe Williams,
Victoria Spivey, and
Willie Dixon). On that pioneering tour (promoted by
Lippmann and Rau),
Murphy commanded the spotlight with a thrilling "Matt's Guitar Boogie" that showcased his ultra-clean rapid-fire picking.
Harpist
James Cotton was the sweaty beneficiary of
Murphy's prowess during much of the 1970s.
Murphy's crisp picking matched
Cotton's high-energy blowing on the harpist's 1974 Buddah album
100% Cotton (the guitarist penned a non-stop "Boogie Thing" for the set). From there, it was on to aiding and abetting
John Belushi and
Dan Aykroyd's antic mugging, both on stage and in the Blues Brothers flick (where he played
Aretha Franklin's guitarist hubby, convinced to come out of retirement by the boys in black).
Murphy has toured as a bandleader in recent years, having recorded an album of his own in 1990,
Way Down South, for Antone's (with brother
Floyd on rhythm guitar). His repertoire encompasses blues, funk, jazz, R&B, and even a few of those
Blues Brothers chestnuts (he usually carries someone in the entourage to sing 'em,
Belushi-style).
–
Bill Dahl, Rovi