, hit the street in 1992, critics and fans alike were floored by its powerful combination of modern R&B with an edgy rap sound that glanced off of the pain and grit of
's Yonkers, New York childhood. Called alternately the new
had little in common stylistically with either of those artists, but like them, she helped adorn soul music with new textures and flavors that inspired a whole generation of musicians. With her blonde hair, self-preserving slouch, and combat boots,
was street-tough and beautiful all at once, and the record company execs who profited off of her early releases did little to dispel the bad-girl image that she earned as she stumbled through the dizzying first days of her career. As she exorcised her personal demons and softened her style to include sleek designer clothes, she remained a hero to thousands of girls growing up in the same kinds of rough places she came from.
reinvented her career again and again by shedding the bad habits and bad influences that kept her down; by the time her fourth album,
, was released in 1999, she had matured into an expressive singer able to put the full power of her voice behind her music, while still reflecting a strong urban style. With her fifth album,
's style that shone through the structures set up for her by songwriters and producers, it was her own vision -- spiritual, emotional, personal, and full of wisdom, it reflected an artist who was comfortable with who she was and how far she had come.
Born in the Bronx on January 11, 1971,
Blige spent the first few years of her life in Savannah, Georgia before moving with her mother and older sister to the Schlobam housing projects in Yonkers, New York. Her rough life there produced more than a few scars, physical and otherwise, and
Blige dropped out of high school during her junior year, instead spending time doing her friends' hair in her mother's apartment and hanging out. When she was at a local mall in White Plains, New York, she recorded herself singing
Anita Baker's "Caught Up in the Rapture" into a karaoke machine. The resulting tape was passed by
Blige's stepfather to Uptown Records CEO
Andre Harrell.
Harrell was impressed with
Blige's voice and signed her to sing backup for local acts like
Father MC. In 1991, however,
Sean "Puffy" Combs took
Blige under his wing and began working with her on
What's the 411?, her debut album.
Combs had a heavy hand in
What's the 411?, along with producers
Dave Hall,
Mark Morales, and
Mark Rooney, and the stylish touches that they added to
Blige's unique vocal style created a stunning album that bridged the gap between R&B and rap in a way that no female singer had before. Uptown tried to capitalize on the success of
What's the 411? by issuing a remixed version of it a year later, but it was only a modest success creatively and commercially.
Her 1995 follow-up,
My Life, again featured
Combs' handiwork, and if it stepped back stylistically from its urban roots by featuring less of a rap sound, it made up for it with its subject matter.
My Life was full of ghetto pathos and
Blige's own personal pain shone through like a beacon. Her rocky relationship with fellow Uptown artist
K-Ci Hailey likely contributed to the raw emotions on the album. The period following the recording of
My Life was also a difficult time professionally for
Blige, as she severed her ties with
Combs and Uptown, hired
Suge Knight as a financial advisor, and signed with MCA.
Released in 1997,
Share My World marked the beginning of
Blige's creative partnerships with
Jimmy Jam and
Terry Lewis. The album was another hit for
Blige and debuted at number one on the Billboard charts. Critics soured somewhat on its more conventional soul sound, but
Blige's fans seemed undaunted. By the time her next studio album,
Mary, came out in 1999, the fullness and elegance of her new sound seemed more developed, as
Blige exuded a classic soul style aided by material from
Elton John and
Bernie Taupin,
Stevie Wonder, and
Lauryn Hill.
Mary made it obvious that the ghetto fabulous style and more confrontational aspects of her music were gone, while the emotive power still remained.
That power also helped carry the more modern-sounding 2001 release
No More Drama, a deeply personal album that remained a collective effort musically yet reflected more of
Blige's songwriting than any of her previous efforts. The
Mary J. Blige on
No More Drama seemed miles away from the flashy kid on
What's the 411?, yet it was still possible to see the path through her music that produced an older, wiser, but still expressive artist. In 2003 she was reunited with
P. Diddy, who produced the majority of that year's patchy
Love and Life album.
The Breakthrough followed two years later and was a tremendous success, spawning a handful of major singles. By the December 2006 release of
Reflections (A Retrospective),
The Breakthrough's lead single, "Be Without You," had spent nearly a year on the R&B chart, while the album's fifth single, "Take Me as I Am," had been on the same chart for over four months. A year later
Blige came out with her eighth studio album,
Growing Pains. It was her third consecutive studio album to top both the Billboard 200 and the R&B/Hip-Hop Albums charts. While on tour with
Robin Thicke during 2008,
Blige began working on Stronger with Each Tear, which was released near the end of the following year and came one spot short of topping the Billboard 200. My Life II...The Journey Continues (Act 1), previewed through the Eric Hudson-produced single "25/8," followed in 2011 with appearances from Beyoncé, Drake, Rick Ross, and Busta Rhymes.
–
Stacia Proefrock, Rovi