Jazz guitarist
George Freeman is the least prominent of his famous family from Chicago, primarily because he stayed home and was a breadwinner for his wife and children. Nonetheless,
Freeman has been an important member of the Chi-Town soul-jazz movement that helped foment that style. In his early professional years starting in the late '40s,
Freeman recorded with the territory bands of
Joe Morris from 1946 through 1949 and with
Tom Archia in 1947 and 1948, and was asked to support touring musicians coming through town, including
Lester Young and
Charlie Parker, recording with
Parker for the Savoy label (although uncredited until after the fact). In the mid-'50s, he started a long association with organist
Richard "Groove" Holmes, and though relatively undocumented, did appear as a sideman and song contributor on the World Pacific and Prestige labels with
Holmes. While working with
Gene Ammons and
Shirley Scott,
Freeman decided against any more road work. His debut album,
Birth Sign, was recorded in 1969 with help from organists
Sonny Burke and
Robert Pierce.
George Freeman is the brother of tenor saxophonist
Von Freeman and drummer
Eldridge "Bruz" Freeman, and the uncle of
Chico Freeman.
He has worked with members of
the Association for the Advancement of Creative Musicians (like
the Art Ensemble of Chicago,
Kalaparusha Maurice McIntyre, and
Lester Lashley) and extensively with his brother
Von Freeman (who has also played piano on his dates), and he occasionally puts down the guitar to play saxophone himself. In the '70s, as soul-jazz was merging into disco, he produced three albums for
Sonny Lester's Groove Merchant/LRC company --
New Improved Funk,
Man and Woman, and
All in the Game. Recording companies ignored
Freeman for nearly 20 years before
Joanie Pallatto and
Bradley Parker-Sparrow signed him to their Southport/Orchard label, issuing
Rebellion in 1995 and
George Burns in 1999. His only other major-label effort,
At Long Last George, was released by Savant Records in 2001. Over the years,
George Freeman has stayed in Chicago, and has worked with an impressive array of great jazz artists, including
Ben Webster,
Illinois Jacquet,
Sonny Stitt,
Sonny Criss,
Johnny Griffin,
Jimmy McGriff,
Les McCann,
Eldee Young,
Harold Mabern,
Kenny Barron,
Bob Cranshaw,
Buddy Williams,
Kurt Elling,
Rene Marie,
John Young,
Red Holloway, and
the Deep Blue Organ Trio, and lesser-known Chicagoans Lou Gregory,
Lloyd Wilson,
Ron Cooper,
Maurice Brown, and
Michael Raynor.
–
Michael G. Nastos, Rovi